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Presented in partnership with Public Transport Victoria, Yarra Trams and Creative Victoria

First Peoples Melbourne Art Trams

  • Visual Arts
  • Exhibition
  • Free
  • Melbourne

  • On the tracks for 12 months

  • RISING subscriber presale Friday 10AM

  • Tickets onsale Monday 17 March 10AM

Free
100% Visual Rating100% Visual Rating
A view of Destiny Deacon's 2024 Melbourne Art Tram passing by Parliament House

A new art trams series that honours Ancestral connections, shared histories and First Peoples women as connectors of cultural practice.

This year, five First Peoples curators have nominated artists' works. Artists selected for their dynamic multidisciplinary practices and contribution to Victorian First Peoples cultural revival, community-centered practice and their long-standing respect and recognition in community and arts sector. The works come from private collections of the artists and state and regional galleries. Each of the six works from Victorian First Peoples artists honour Ancestral knowledges and the role of First Peoples women, the continuum and revival of culture.

The legacy tram this year honours Beruk (William Barak) (Wurundjeri Woi-wurrung) and features a work from 1897 called Corroborree (Women in possum skin cloaks). This is a significant painting, which was returned to Victoria after being purchased from Sotheby's Auction house in 2022 by Wurundjeri Woi Wurrung Cultural Heritage Corporation, with support of the Victorian State Government.

The remaining five trams' artists will be announced soon. Working across mediums and eras, they each present overlapping layers of embodied knowledge and country and sharing the strong art histories of First Peoples in Victoria. For 12 months, they’ll traverse the city streets, as testaments to the power of their expression.

Curatorial Collective 2025

The First Peoples Melbourne Art Trams 2025 curatorial collective has formed to select artists for the program. Convened by Senior Curator RISING Kimberley Moulton (Yorta Yorta), the curatorium includes highly experienced and community connected curators.

The curators are deeply engaged with First Peoples across the state and have decades-long practices in community arts development, exhibition making, research in both historical collections and contemporary art, and public art commissioning. This model for 2025 supports a collaborative and relationship-based approach to working between curators and with artists across organisations.

  • Belinda Briggs (Yorta Yorta, Wamba Wamba, Wurundjeri and Ngiyampaa) Curator Indigenous Shepparton Art Museum

  • Gail Harradine (Wotjobaluk, Djubagalk, Jadawadjali ) Curatorial Manager Koorie Heritage Trust

  • Caine Muir (Yorta Yorta, Wati Wati and Ngarrindjeri), Curator First Peoples Collections Museums Victoria

  • Stacie Piper (Wurundjeri, Dja Dja Wurrung and Ngurai Illum-Wurrung) Curator & Collections Victorian Indigenous Research Centre, State Library Victoria

Artistic Team

CURATORIUM

RISING Senior Curator

Kimberley Moulton (Yorta Yorta),

Shepparton Art Museum

Belinda Briggs (Yorta Yorta, Wamba Wamba, Wurundjeri and Ngiyampaa)

Koorie Heritage Trust

Gail Harradine (Wotjobaluk, Djubagalk, Jadawadjali)

Museums Victoria

Caine Muir (Yorta Yorta, Wati Wati and Ngarrindjeri)

Victorian Indigenous Research Centre

Stacie Piper (Wurundjeri, Dja Dja Wurrung and Ngurai Illum-Wurrung)

Kaiela Arts Shepparton and Baluk Arts

Supporters

Presented in partnership with Public Transport Victoria, Yarra Trams and Creative Victoria.

Creative Victoria
Yarra Trams

Cultural partners

Shepparton Art Museum, Koorie Heritage Trust, Museums Victoria, Victorian Indigenous Research Centre, Kaiela Arts Shepparton, Baluk Arts, State Library Victoria, Wurundjeri Woi-wurrung Aboriginal Corporation.

Shepparton Art museum
KOORIE HERITAGE TRUST
Museums Victoria
Kaiela Arts
Baluk Arts
Victorian Indigenous Research Centre
State Library Victoria
Wurundjeri Woi-wurrung Aboriginal Corporation

Image Credits

Arrears Window by Destiny Deacon. First Peoples Melbourne Art Trams 2024. PHOTO: James Morgan